King Crimson was an early example of lyrics and instruments to use. But it was Traffic that inspired Pembroke and Gustavson. Ian McDonald followed the band from the start and reviewed the albums in 1974:
And promised to return before the moon struck one...
Pembroke had always had a thing for America in his lyrics. Hard Top Lincoln appeared in the 80s. By 1990 he had ended up in Kansas City and made a few reunion gigs in summers in Finland. Finally the band had a comeback in the early 2000s and made two worthwhile albums. These reflected his interest in America and the scenery there. Jim was particularly interested in Native Americans and their legends.
Back to the Band, Jim's playful lyrics appeared to follow the Band song in Save My Money and Name:
I was never the same kind of fan of The Band as Jim was, but did look into a number of the albums just because of the Wigwam connection. For me, the hit collection CD would have been emough.
Pembroke wrote an autobiography in his last years. Look for it, probably in Finnish, under the Like publisher site in the fall.
Back to Ian McDonald. I'm not sure if he came back to comment on the Wigwam lineup past 75. Here we see Pembroke come to his own, and the band really was not a copy of any progressive rock style. It had synthesizer, but it sure was not ELP. The band later came to call it "deep pop." I think Jim's lyrics came to stand out a bit better in that style. The better keyboard player, Kotilainen, was only on board for one of their 70s albums and two in the 2000s. Thus the keyboard became a lesser force in the live band. It was no longer anything like Traffic.
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