Tuesday, February 24, 2026

Wigwam at Töölönranta

 

I've had this album for some time, and now with the Danish 1976 recording out I have to point out that this is probably the best live set will have with the 1975 line up. The radio had a time limit, so not all the songs are the length they would be in a normal set. But then on the other hand they sound a lot like the album they had released. 

I was in Finland in 1975 in the summer, but missed seeing the band on that trip. This is what it would have been like, I came home with the 1975 album Nuclear Nightclub. It was probably that line up's best studio album. It was a fresh start and they spent money to record it in Stockholm.

In the 70s Jim's voice was still holding out well, so his parts are great. You hear a little of his keyboard, not much. Well, at most times Jim does the chords, what a rhythm guitar would do. Pedro does the synthesizer.

The book Pembroke wrote covers this era and Nuclear Nightclub as the happy years of the band. Once drummer Ronnie died, all that ended. 
The venue is outdoors with a small audience and the YLE recorded sound is quite good for that time.

Now, the sad part. Yes, Jim was at time pessimistic about his personal issues, despite the band doing quite well.

In the set here is A Better Hold (And A Little View). The song is the story of Jim's failing relationship with his Finnish wife. The couple had one child, Emma, who is mentioned later in Emma's song. Here there is some hope expressed to carry on. I have the lyrics from the live set below. The recorded version on his solo album had a comical character Igor in it, mainly to just mix up what the song was about. It was very well arranged with a marimba riff that was also played on keyboard in live sets. 

Oh my sweet Elisa (or Liza)
Something that I had to say
And I don’t think it can wait
Till tomorrow.

I’ve been lately coming down
With those same old no good blues
And I don’t think I can take it…very long.

I waited through the summer,
All that winter too,
And I haven’t got a clue about…what went wrong,
I’ve been lately coming down
With those same old no good blues.
And I don’t think I can take it very long.

Woo-oo, I need you honey and I want to say,
Every night and day,
…ain’t no knowing and it’s just as well,
But time will tell, but I know it,
To my soul, 
Before we go and lose control,
So we’ve got to get a better hold….
…got to get a better hold…
Oh oh oh..

Oh my dear sweet Elisa
Something that I had to say
And I don’t think it can wait
Till tomorrow.

I’ve been lately coming down
With those same old no good blues
And I don’t think I can take it…very long.

Need your love and I got to say
Every night and day,
…ain’t no knowing and it’s just as well,
But time will tell, but I know it,
To my soul, 
Before we go and lose control,
So we’ve got to get a better hold….
…got to get a better hold…

(repeats)
One more time


Monday, February 09, 2026

Wigwam in Denmark

 Released in 2026, feb. You can only get it from:

https://svart.ochre.store/?lang=en_GB

if you live in the US or Canada. Cover below. More details when I have it.

I think fans have had these tracks, or most of them, for years now. At least we had some from 1975. We get a professional attempt by Svart to get the best out of a reel to reel tape. The concert was in 1976. The odd thing was that the studio album Lucky Golden Stripes And Starpose had been recorded in January of 1976. Reviews of it came out April and May. How this fits in with what we hear, I don't know.

Anyway, the tracks are from a short Danish tour late that year. The vocals are decent and the guitar comes through pretty clearly. However, the overall sound has some muddyness left from what was available. I can hear all the instruments at times, other times it blends into a bit of a distorted noise. The drums do not come through as well as the Töölöranta concert recorded by YLE. 

Grass For Blades has the final vocal verse come in at 8 minutes and there is yet another guitar solo to the end. Do or Die runs longer than the version we had in the Töölönranta live a year earlier. The Danish shows did not have time limits, apparently. We get more of Pedro on synth this time. We get a version of A Better Hold, which was recorded with these lyrics, more or less, with sweet Igor as the random character thrown in (recorded in 1977 with much of this line up). It really is not better than the earlier live version of this song in the Töölönranta disc. Never Turn You In is developing here. But not quite the precise arrangement it got in the studio in 1976 (recorded at Virgin). Colossus is surprisingly finalized here, and even the recorded sound is good.

Lucky Golden Stripes And Starpose is mostly there. Or it actually is a slightly different arrangement. After about three plays this has become my favorite track. The guitar parts have a surprize tremolo bit in the middle that never made it to the record. The title of the song has always been a mystery, as it really was a meaningless phrase to start with. Jim explained it a bit in his book. Mats Huldén tried to help us with the cover of the album. It was equally a mystery but fun nonetheless. In his book Jim says he never asked Rekku about the mystery title. He says that it definitely had nothing to do with the American flag that Virgin put on the cover. The Huldén cover had been rejected, perhaps as too confusing. No New games was standard in their sets. I can't say this is the best. Again, Töölönranta beats this one.

So what is the typical fan likely to get from this? It features songs that had come out on Lucky Golden Stripes And Starpose with the 1975 Wigwam lineup. There are moments of hearing some fun happening on stage. Jim's stage banter is surprisingly minimal. Occasionally he would speak at length in other concerts. One slip is amusing, a song is announced as "Lucky Golden Stripes And Star Noise." So since we cannot go back to 1975 and 76, it will be a fun disc to play a few times. I will probably play it more than the 2001 live album, which had a compressed sound I really could not stand.

I myself just added a few songs from this to my Wigwam 75-76 playlist, the ones not in the Töölönranta set. But leaving out Grass for Blades. There is a difference in the recorded sound from the Töölönranta set. I will play the Töölönranta set on headphones, but the Denmark set took a bit of testing to get the right headphones to be comforable.

We have the next live album from 1991 at Provinssirock. I think the band was a bit better rested that day and perhaps enthusiastic about that brief reunion period. They had not played for Finnish fans for a while. Drummer Ronnie was gone and Pedro appeared but did not stay to record the next studio album. Here we see the move to some accordion from Pedro. The version of Grass for Blades there is far better than the one here. Though my favorite of that song live is the four man band that played at Liisankatu studios ("Pop-Liisa 3").

Aside from that song, where I probably favor Jukka Gustavson to any other keyboard player, I have to say Pedro Hietanene did quite well here. The parts he plays are not too long and he is playing quite well together with Rekku. That did not always happen. He did well on the studio album too. His contribution to Dark Album varied, depending on the track.

There is a booklet describing the Danish end of things and how we got these tapes at all. But sorry to say, very little of Denmark comes through in this recording. Probably a rather small audience. If we had a recording of Roskilde in 1976, that probably came across a bit stronger. I was only at Roskilde only once. I think the tendency was to put the Finnish band early in the morning, when drunk Danes were still recovering but Finns always show up for their band. Mine was Pelle Miljoona.

A note on lyrics:

Jim's lyrics are well known for most of the songs. I would just add that there was usually a satirical look at great powers. My other blog entry sheds light on the content of Lucky Golden Stripes And Starpose. Not directly, but the flag business.  I had asked about Cheap Evening Return:
"Yes, in eighteen twenty-four

 Somebody had won a war for sure, he thought

           And there'd been flags and ribbons waving."

Here the wars could be these according to Google AI:
This likely refers to the First Anglo-Burmese War (1824–1826) or the final stages of the Spanish American wars of independence (such as the Battle of Ayacucho in 1824). The lyrics depict a distant, "heroic" era of flags, ribbons, and statues of lancers.


Jim probably did not refer to a particular war, but just the coloneal era and the British Empire. The steam shovel in the next lines gives us an idea. But AI has the idea, roughly.


Friday, February 06, 2026

Suomalaista rock-lyriikkaa (Eppu Normaali) Google AI:n käsittelyssä

 Itse biisin sanat voitte kaikki googlata helposti. Pistin tuon biisin kokeeksi, sillä en ole kysynyt Google AI:lta mitään muuta suomeksi.



"Poltan loppuun tupakin" (1980) on Eppu Normaalin varhaistuotantoa, jonka sanoitukset ovat Mikko Saarelan käsialaa. Kappale on tyylillisesti sekoitus mustaa huumoria ja nuoruuden apatiaa, mikä oli tyypillistä yhtyeen uuden aallon punk-vaiheelle.

Sanoitusten merkitystä voi tarkastella useasta näkökulmasta:
  • Absurdi kontrasti: Laulun kertoja tekee äärimmäisen väkivaltaisen rikoksen ("Eilen illalla kultani murhasin / paloittelin ja upotin sementtiin") ja suhtautuu siihen täysin tunteettomasti. Suurin huoli ei ole syyllisyys, vaan kylmyys ja se, että tupakka-aski on tyhjenemässä.
  • Aikuistumisen kieltäminen: Huolimatta "aikuisten" teosta (murha), kertoja palaa välittömästi lapsen rooliin kävelemällä "äidin luokse tietenkin" syömään. Tämä korostaa hahmon kypsymättömyyttä ja vastuunpakoilua.
  • Kulutusyhteiskunnan kritiikki: Sanoissa mainitaan "beiben" halunneen mieluummin väritelevision kuin ruokaa, koska naapurillakin oli sellainen. Tämä viittaa 80-luvun alun materialismiin ja siihen, miten pinnalliset asiat voivat ajaa ihmissuhteet kriisiin.
  • Viimeinen hetki: "Tupakin loppuun polttaminen" symboloi tässä yhteydessä ajan pysäyttämistä tai viimeistä viivytystä ennen väistämätöntä kiinnijäämistä tai seuraavaa elämänvaihetta.
  • Kappale ei siis ole ylistys väkivallalle, vaan pikemminkin ironinen ja groteski kuvaus vieraantumisesta, jossa vakavat teot ja arkiset tarpeet (ruoka, tupakka, televisio) asettuvat hämmentävään tärkeysjärjestykseen.

Google: Haluatko analyysia jostain muusta Akun tehdas -albumin kappaleesta?

Minä: Ei tarvita. Tämä on pop bändi, jonka sanoja oteta kovin vakavasti. Muilla albumeilla on jonkun verran vakavampia ajatuksia, mutta nekin ovat lähinnä esittäjän ja kuuntelijan välistä asiaa. Ei tarvita kolmatta osapuolta siihen, biisi on lähinnä henkilkohtainen. Sen kuuleminen myös tuo kuuntelijalle joitakin muistoja mieleen.